As a child, every summer
holiday Emma would buy a notebook and fill it with stories (usually about
ponies or Duran Duran fan fic!). This ritual has continued into her
professional writing career: each new novel begins in a newly purchased
notebook and is usually written straight through from start to finish. Having
completed an MA in Writing for Young People, Emma clearly knows her stuff about
the different ways that authors work; for example she told us how Hilary Mantel
prefers to write the key scenes from her stories and then goes through the
process of ‘sewing’ them together to create her narratives.
- Ask questions
- Be Random
- Think about ‘What If…?’
Each of these tips involved
using images of characters and/or settings, although Emma did suggest you may
wish to use a piece of writing, a poem or a snippet of an overheard
conversation as well.
An image, or rather images,
that inspired Emma to write In Darkling
Wood were those of Frances Griffiths and Elsie Wright with the infamous
Cottingley fairies. These famous fakes were taken in 1917, in the midst of the First
World War; a time when many wanted to believe in something hopeful and magical.
Sherlock Holmes’ creator, Sir Arthur Conan Doyle, was so
convinced by these two photographs that he gave each girl a camera and asked
them to capture more photographic evidence of the fairy folk they claimed to
see on a near-daily basis. He even makes an appearance in Emma’s book!
Emma spent a lot of
time researching all things fay, and told us about ‘real’ fairy doors, chime
children and other Somerset lore. It was such a lively and interesting
presentation, and having heard all the work that went into the novel as well as
a few choice extracts I can’t wait to get reading In Darkling Wood – look out for a review coming soon!
Emma signing my copy of In Darkling Wood |
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